OhmForce Ohmicide v1.0.0 U2B | macOS
The Grand Library of Distortions
Classics: emulate all sorts of analog amplification, from guitar amp to consoles and turntables.
Edgy: make your synth leads scream with razor-sharp cubic or v-shaped distortions.
Wacky: time freeze, chastity belts and a jellyfish = endless possibilities.
Switch at will between Standard, XXX (even more analog-like behavior) or ODD (deliciously broken).
111 algorithms (37 types x 3 modes) self-documented within the UI.
Shape. Texturize.
Unique two-knob upward compressor/expander to control dynamics…
… and expose all the hidden textures of your sound once fed through distortion
Type-specific mod controls per distortion
Bias with 3 distinct behaviors per family, including our signature ODD mode and its gritty sweeps
Be reasonable. Be unreasonable.
Gate the noise… or gate the signal.
Filter out frequencies. Or make them scream.
Cut the feedback. Or let it roam free.
Stick to mono. Or to stereo.
Sound surgery
Split the signal in bands by frequency – or make them parallel.
Conveniently always keep a low end X band available to be treated separately.
Pre and post bands to allow for serial distortions shenanigans.
The best preset browser in the biz
Easy on your memory thanks to highly visual banks.
Easy on your time thanks to in-UI documentation of banks and presets.
108 presets including 30 by the team of Ohmicide experts audio engineers Keep Forest.
Easy live with Macros²
4 controllers per preset that can do everything you can think of and then some
Unlimited mapping, control ranges on both ends as well as response curve…
…sounds esoteric until you realise you can set them to skim off a bit the high when the gain knob is close to the max. Then you’re using them everywhere.
Modulation? Yes.
Modulate every audio parameter.
With every conceivable modulation.
Modulate the modulations.
Did you know? Envelope follower and ADSR completely change the distortion game
NFO
“We like this one so much that we almost didn’t want to crack it, but we want everyone to feel like Skrillex in 2010.”
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